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The Elements of Expression: Putting Thoughts into WordsBy Jessica Morell Arthur Plotnik
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More than ever in this completely updated edition, The Elements of Expression helps word users "light up the cosmos or the written page or the face across the table" as they seek the radiance of expressiveness—the vivid expression of thoughts, feelings, and observations. Nothing kills radiance like the murky, generic language dominating today's talk, airwaves, and posts. It tugs at our every sentence, but using it to express anything beyond the ordinary is like flapping the tongue to escape gravity. The Elements of Expression offers an adventurous and inspiring flight into words that truly share what's percolating in our minds. Here writers, presenters, students, bloggers—even well intentioned "Mad Men"—will discover language to convey precise feelings, move audiences, delight and persuade. No snob or scold, the acclaimed word-maven Arthur Plotnik explores the full range of expressiveness, from playful "tough talk" to finely wrought literature, with hundreds of rousing examples. Confessing that we are all "like a squid in its ink" when first groping for luminous expression, he shines his amiable wit on the elements leading, ultimately, to language of "fissionable intensity."
- Sales Rank: #352159 in eBooks
- Published on: 2012-06-01
- Released on: 2012-06-01
- Format: Kindle eBook
From Booklist
The second edition of Plotnik’s neat little guide to writing comes at a good time in history—with more people communicating electronically than ever before, it often seems that grammar, spelling, and the sheer ability to express one’s thoughts clearly are all under assault. This book offers tips on how to write and speak in an engaging and effective manner. More than a grammar guide, this should find a place in most libraries and will be appreciated by both the casual blogger and professional writer. --Rebecca Vnuk
Review
"In the blues anthem from 1970, Charles Wright and the Watts 103rd St. Rhythm Band, sang "Express yourself, express yourself..." and the whole world listened. I hope they're listening now because Arthur Plotnik's The Elements of Expression will make you want to sing out as well. It is chock full of clear and concise advice about how to provide a blood infusion for our tired vocabularies so we can be as bold and funky as possible whenever we express ourselves." —Phil Cousineau, author ofWordcatcher and The Painted Word
"Arthur Plotnik's Elements of Expression first makes the case for better expression — more varied, lively, forceful, and interesting — both verbal and written. Then he shows us how to achieve that. Loaded with examples from Plato to rap, this book sparkles with wit, insight, and a love of words evident on every page. A gem." —Nancy Kress, author of Beginnings, Middles, and Ends
"This is a perfect book for lovers of language or for anyone who has ever struggled to find the right word to express the nuances of human experience. Plotnik’s The Elements of Expression is smart and funny and rich with the history of language. This book will help any reader freshen their speech and purge it of the well-worn clichéd patterns of our time and stale mainstays such as “awesome” and “amazing.” —Kate Hopper, author of Use Your Words: A Writing Guide for Mothers
"I just love this book. Arthur Plotnik is great fun to read, and in The Elements of Expression, he’s given me hope that the horrible, fruitless fumbling for “the right words” that torments so many writers needn’t be the death knell of nimble, beautiful expression." —June Casagrande, author of It Was the Best of Sentences, It Was the Worst of Sentences
"Plotnik succeeds where many writers fail. He not only enlightens, he entertains. To be guided by such a sure and steady hand is a delight. The Elements of Expression is more than a guidebook. It’s a romp through the ever-changing trends of taste and style that shape our use of English, that “great drifting sponge of a language.” It’s a linguistic expedition from “choice written English” to “ear acceptable idiom,” from antiquity to the present, from the figures of speech and the classic advice of Longinus to the comic rhythms of Saturday Night Live, along with warnings along the way against becoming “benumbed by daily overdoses of media and message” and insights into how “good writers mix high and low for the most original effects” and observations about how “simple conviction” isn’t enough: “It takes a certain controlled elevation of one’s natural voice, language that stands on its toes but doesn’t leave the ground.” If you think this book is a stodgy treatise on elocution and elegance, I’d like to disabuse you of that notion. The scope of Plotnik’s frame of reference is breath-taking." —Stephen Wilbers, author of Keys to Great Writing
"With sincerity, humor, and the occasional precision-lobbed “grenade,” Arthur Plotnik teaches by example in The Elements of Expression In urging us to shun generic writing and optimize value in our word choices, Plotnik joyfully demonstrates dozens of ways we can “abuse” English to add interest and tension to dozy prose—all without forsaking authenticity and restraint." —Carol Fisher Saller, The Subversive Copy Editor and Eddie’s War
"In Elements of Expression, Arthur Plotnik covers it all: word choice, style, usage, syntax, and the difference between them. What’s more, he does it in a way that is funny and fundamentally helpful. To plunge into the pages of this book is to cast away doubt. Trade your hemming and hawing for a surefooted sense of how to write with power and authenticity. If you, too, suffer from “language anxiety,” help is on the way. Arthur Plotnik delivers a dose of easy-to-digest information that will help you put your thoughts into shimmering words.In Elements of Expression, Arthur Plotnik takes opaque ideas about writing and rhetoric and puts them into plain English you can understand—and use. I’d love this book even if I didn’t love this stuff. Let Elements of Expression turn you into a more confident writer, and turn you on to the joy (and relief) of getting what’s inside outside." —Constance Hale, author of Sin and Syntax and Vex, Hex, Smash, Smooch
"It’s impossible to summarize all the ground this volume covers; however, it’s just what a reference book should be: meaty, thoughtful, layered, and inspiring. As you read along, expect hidden cogs in your brain to lurch into motion and your fingers to twitch, eager to jot down fresh phrases. This urge is helped by the author constantly goading readers to go forth and raid the countryside for language like modern-day cattle rustlers." —Jessica Morell, author of Between the Lines
From the Author
This new and expanded version from Viva Editions beams one of my most cherished (and much-lauded) titles into today's wild arena of expression and expressiveness, where only the mighty get thumbs-up from the crowd. Here are a few words from my new preface:
"[When the first edition came out in 1995] in came raves from reviewers and readers, selection by The Book of the Month Club, newspaper features, radio interviews, brisk sales, admiring fans, yadda yadda yadda. The point is, the book earned a solid seal of approval. But then . . . to be fair, so did Windows 95, and everyone knows how useful 1995 software is today unless deftly updated.
"Well, I have updated the book---on top of updates for two interim versions. For this present and most complete revision, I've refreshed hundreds of stale bits, replaced dozens of outdated items with current material, and written seven timely "sidebar" features and a major new wrap-up section [on achieving 'intensity']. I believe, however, that the book's greatest strength remains its core advice, delivered with compassion for all who struggle with expression.
" . . . This new version has benefited from two other, recent books (and scores of articles) I've done on contemporary language and style. For these projects I've had to ponder the madly competitive writing environment and what it takes to break through; the seductive ease of online expression; the tug of worn, generic language on conversation and public discourse. I've looked at literary and popular styles, at fashions in slang, including---ay yo!---rap and hip hop. All such ponderings have informed this revision. . . . . "
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